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Tamara's avatar

Your essay is as thoughtful as it is sweeping, like a soliloquy whispered across the canyon of human perception. And while I admire its existential grace, I’ll offer a slight reframing: yes, there are infinite versions of us scattered across the minds we’ve brushed against, but rather than lament the fragmentation, why not consider it a form of social cubism? Like Picasso’s “Girl Before a Mirror”, where truth lies in the interplay of angles, distortions, and reflections, not in any one faithful rendering.

We are, indeed, a mosaic of contradictions. But the idea that the only person who knows the “real you” is you… I must respectfully challenge that. Can one ever fully know oneself? Freud would scoff. Montaigne, that deliciously self-probing skeptic, might argue that our inner depths are no less mysterious than anyone else’s perception of us. We are unreliable narrators of our own stories. Even Hamlet (who had plenty of soliloquies to explore his inner world) remained a mystery to himself.

Take Nabokov, who once claimed, “I think like a genius, I write like a distinguished author, and I speak like a child.” Three different selves, coexisting. And I’d wager none of them fully knew the others. So yes, maybe we can’t control how others see us, but neither can we wholly trust how we see ourselves.

What I take from this eloquent meditation is this: authenticity is not a single candle in a dark room, but a constellation, glimpsed from many vantage points, shifting as the earth tilts. The art lies not in presenting the same self to every person, but in being coherent across those selves. Not polished. Coherent.

And if someone remembers you as the nose-picker at the bus stop? Let them. Maybe that version of you taught them to be less judgmental. Or funnier. Or more forgiving.

In the end, we’re all trying to piece each other together like blind cartographers sketching from touch. The miracle is not that we get it wrong but that, sometimes, we get it close enough to love each other anyway.

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